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krzysiek

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I do not what I am doing wrong. I tried different setting and still not happy with photos.

I used Nikon D7000 with Tokina Macro 100mm, F2.8 D

I took all those photos with:
Camera on tripod, ISO 800, each photo with different aperture and shutter speed (see photos), no flash, used remote to take photos, powerheads switched off. Photos 4, 5 and 6, blue light only.

With faster shutter speed I can “freeze” the photo but aperture will be wider (f/2.8) and depth of field will be shallow. What is right setting?
 

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gparr

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You need to use a tripod and shoot in manual mode so you can control shutter speed and aperture. As your aperture number goes up, the aperture gets smaller and your depth of field deeper, putting more of the subject in focus. To accomplish that requires a slower shutter speed, making it easier to blur the image. Thus the tripod and remote release timer are required. As a starting point, try an aperture of f/14 to f/18 for the type of shots you posted, ISO at 400, and then whatever shutter speed gives you a good exposure.

You either need to shoot in the RAW format and correct your white balance in the RAW conversion software in your computer (the software is on a CD that came with your camera) or set a custom white balance in your camera and shoot jpg files. Note that the custom white balance won't be as accurate as what you can accomplish with a RAW file. You'll have to read your manual to determine how to create a custom white balance.

Generally, a custom white balance requires you to place a white object, such as a small, flat piece of white plastic, preferably with a textured, non-glossy surface. When I do this, I have a piece I cut out of a ceiling tile sample. Anything white will do. You hold it at an angle that approximates the face of your rock structure so the light reflects off of it as it does off of your aquascaping. Then fill the frame with the white and take a picture in whatever mode creates a custom white balance. The rest of setting a white balance is what's in your camera owner's manual.

You also want to use manual focus, because auto focus is easily fooled in reef aquariums.

Take three photos: one overexposed by 1 stop according to your camera's meter, one exposed properly according to the meter, and one that is 1 stop underexposed. One of those photos will be the correct exposure without any blown out areas. Usually it's the shot that is underexposed.

Hope this is of help,
Gary
 

wonderballz

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Excellent advice Gary. While I am fairly happy with my macro shots, there is always room for improvement, and I spotted a couple of great tips in your post. Thanks


And BTW, I am gonna have to DL some of your podcasts. I just stumbled upon them after checking out your 3 previous posts, and they seem informative.
 

TRUKINGNY

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White Plains
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what gary said in his post is what i love to do take the picture in the RAW mode file and place it on my computer and put it into adobe photoshop lightroom 3 and it is so much easier to play with i can adjust kelvin on the pic to get the blue out also can do noise reduction and sharpness. its a pretty cool program
 

jerl77

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long island ny
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kris i have photo shop if you need it just bring a usb storge card with you
i shot in raw many time it is the way to go but you need to resize the photo in photo shop after shooting in raw
 

krzysiek

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Selden, NY
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Thanks you all. I will try to take photos in RAW and play with white balance. Hopefully that would help.

Jeremy I can come over with camera and beer... LOL
I think after few beer colors will improve
 

T3TRODOTOXIN

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From what I've been noticing so far... with my Canon T1i and Tamron 90mm f2.8 Macro is that no matter how much you try with the custom white balance the image will either still be too blue or just too "warm". ie - practically no blue in the picture at all with a reddish hue.

Taking the 3 shots of different fstops and exposures sounds very interesting, going to give that a try.

As gparr said - using photoshop is the best way. (With a picture taken in RAW mode)

Using the PS Camera Raw plug-in you can just give the numerical Kelvin temperature of the bulb that the photo was taken under for the white balance, and it works like a charm.

I have a DIY LED fixture with a ratio of 2 Blue : 1 White LED. So comparatively I'd say its about the same as a 20,000K MH bulb. So thats what I set my white balance too in photoshop with a few other minor tweaks and it seems to work great.

The only aspect of reef photography that I'm having trouble with is finding the right white balance for actinic shots.
 

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